PROTECTION POLICY OF THE STATE ON PROFESSIONAL KINOMISETSTV

Abstract

The world experience that has long been existing and using for enterprises, is gradually being introduced in other sectors of society. From such point of view, the use of public administration mechanisms in the context of the state’s protectionist policy regarding to professional cinema art becomes relevant. Scientific researches of T. Bodnarchuk, G. Zinatullina, A. Kelichavy, V. Panchenko, N. Reznikovoyi, L. Chornoguz, journalistic articles D. Kurishko, D. Ivanova are devoted to the forming of protectionist policy and modern development of professional Ukrainian cinema art. The purpose of the article is to consider the application of mechanisms of public administration in the context of protectionist policy of the state regarding professional cinema art on the basis of the law on cinematography and modern scientific researches. Taking as a basis the law on cinematography, scientific works of modern Ukrainian scholars, the conclusion was reached on the prospects for the development and improvement of the mechanisms of protectionist policy of state management of professional cinema art. It is stated that there is a protectionist policy of the state as for professional cinema art, which is clearly stated in the provision on state support for cinematography, which is carried out due to the organizational mechanism that exists in the existence of the State Agency of Cinema in Ukraine. The policy of protectionism in relation to film production is intended to protect the national cinema industry. The protection of national producers is often used by industrially developed countries, applying protectionist policies. The State Ukrainian Cinema Agency aims at a national professional cinematograph, which should be produced through producer firms, movie and video studios and technical service companies. The national professional film market should be distributed through special companies, cinemas, advertising and festival agencies in the field of cinematography, movie markets. In the processes of distribution and production equally involved film TV channels, physical and legal persons that are relevant to the professional cinematic process. All components of the author’s scheme contribute to the improvement of the national professional film.